New York, New York

April 2 -  May 12, 2018

Opening Reception: Monday, March 12, 6-8PM

A survey of artworks by Angiola Churchill from 1980 through 1990.

Milan, Italy

November 30, 2017 - January 31, 2018

Works by Gianfranco Migliozzi

Artist: Min Seok Kang

May 22-24, 2017
Opening Reception: May 24, 6-8pm

WOOK + LATTUADA GALLERY, New York, proudly presents Susan Austad: STRUCTURES: REFLECTING COSMOS, an exhibition of large relief sculpture with light effects.

Danielle Coenen is a Boston based painter who creates faces characterized by saturated palettes and merging of figurative with abstract. She received a BFA from The Art Institute of Boston at Lesley University, trained in both figure painting and sculpture. Hide and Seek will be her second solo show, other notable including multiple juried exhibitions in Boston and an invitational at the Attleboro Arts Museum in 2016.

Opening Reception: Nov 06, 6 - 8 pm

Artists:
Xiangdong Chen, Jin Xu,
Qin Han, Xin Song,
Baoyang Chen, Qiuren Wang,
Dongze Huo, Jon Tsoi, Jingdong She

The Transasia Stacks series comprises 27x40” digital photographic prints in editions of three. One of the most poignant of these contains the rutted snowy landscape of Sag Harbor superimposed by an image of a Guanyin in typical flowing robes with a flame nimbus in place of a halo. Gerald Pryor’s work offsets the earthly and the divine in an image of great beauty and transparency.

Paulien Lethen is a US resident but kept her Dutch nationality. Her paintings reflect influences of the different worlds she lived and has lived in: Greece, New York, Japan and The Netherlands. Her works have exhibited internationally in The Netherlands, Greece, Japan and the USA.

Little Things is meant to be a show with which to greet the holiday season and encompasses artists from around the world, and varied styles of art who were chosen for their quality and size. Their works hold some similarities in that they are abstract or abstracted, and they are all small and meant to be enjoyed from close up. These little jewels that offer big pleasure are in themselves complete and defined works of art by mid-career artists with established reputations.

Lori Kent is a New York City-based visual artist and writer. She works primarily in beeswax, wood and other organic materials to create pastoral images, often reduced to elements such as grass, trees, sky, and dirt. Her paintings document cultivated, idealized or nonexistent nature. Each image is a proposition about paradise lost or reconfigured in her native South.

Rigorismo,  influenced by Lucio Fontana and a survey exhibition of Italy’s preeminent artists who represent the genesis, progression, and future of the Spazialismo movement. Rigorismo is rooted in the tradition of the Spazialismo (Spatialism) movement of the late 1940s, as well as the German Zero movement of the late 1950s.

In her newest works, Hart paints on diaphanous materials. One can literally see inside her paintings.  It is her use of paint that she pours, drips and becomes still in mid air, with gestural sculpted lines in and out of her frames that she constructs inside of her paintings.  In doing this she pushes and merges painting, drawing and sculpture so they all work independently but off of each other so to give the viewer a different kind of interaction.

Ada Goldfeld explores themes of intimacy, memory and gender constructs through paintings of private, every day—often ignored—moments. Her interest in representational painting has driven her not to recreate reality

Gallery Art Center started its activity in 1963 , with the aim of increasing research and cultural affirmation not only as an exhibition space , but as a meeting place for intellectuals, artists and art lovers . The interdisciplinary approach has always been the cornerstone of its business : many, in fact, were the moments of collaboration with architects, designers, and then meetings, debates , book presentations and musical moments .

Lucia Pescador’s work often deals with themes tied to nature, and are drawings and watercolors executed on paper. Since 1985 she has worked with her left hand only, although she is not left-handed. 

Art, in a condition of you and I being real, is a denial of reality, and at the same time, an assertion of innate desire to find ultimate beauty in reality.  This ultimate beauty is not aesthetically pleasing, nor peaceful in heart.